Artistic Interpretation of the Image of Women in the Works of Alisher Navai

Authors

  • Sa’dullayeva Sevinch Student of Uzbek Language and Literature at Navoi State University

Keywords:

Alisher Navoi, Image of Women, Artistic Interpretation, Motherhood, Female Saints, Rabiya Al-Adawiya, Nasoyim Ul-Muhabbat, Hayrat Ul-Abror, Sufism, Spiritual Values, Women's Status, Classical Uzbek Literature, Moral Education, Literary Imagery, Female Characters

Abstract

Alisher Navoi skillfully interprets his attitude towards women, their place in society and the family, and their importance in the life and development of children in various ways, based on the subject matter, genre, and expression of his works. The thinker, who wrote in more than thirty genres of our classical literature, especially in the works of the epic genre, can see a unique artistic depiction of the role of women in the development of mysticism, science, and government.

References

A. Navoiy, Hayrat ul-abror [The Wonders of the Pious]. Tashkent, Uzbekistan: G‘afur G‘ulom Nomidagi Nashriyot-Matbaa Ijodiy Uyi, 2006.

A. Navoiy, "Nasoyim ul-muhabbat" [The Breezes of Love], in Mukammal asarlar to‘plami [Complete Collection of Works], vol. 10. Tashkent, Uzbekistan: G‘afur G‘ulom Nomidagi Nashriyot-Matbaa Ijodiy Uyi, 2013.

Women Whose Prayers Are Answered: Exemplary Stories from Alisher Navoi’s “Nasoyim ul-muhabbat”. Tashkent, Uzbekistan: Sano-Standart Publishing House, 2021, p. 203.

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Published

2026-06-17

How to Cite

Sevinch, S. (2026). Artistic Interpretation of the Image of Women in the Works of Alisher Navai. Web of Semantic: Universal Journal on Innovative Education, 5(6), 80–82. Retrieved from https://journal.univerpublishing.org/index.php/semantic/article/view/3569